Here's the first story from the ORR board. The "chapter" titles
are taken from the original message headers.
(If you came straight here for some reason,
this is the way back.)
"William went on a bobtailed steed
The words were weathered with age and tinted with the hues of old memories
bleeding together. Her hand skipped over the paper as her tongue tripped
on her teeth; the ink dripped from her pen to form shadowy blothches on the
rough paper.
"Standing high on the bobtail's back
Oh, you'll dance with a necktie that fits so fine
When the rhyme ended, so did her hands. She had reproduced a memory;
blurry, perhaps, to a casual observer looking over her shoulder, but rich
in scent and texture to herself.
Her picture was of an afternoon, long ago. It was of a wagon, hitched to
two horses, with several shadowy people standing around it. On the wagon
were two people, one with a rope joining it's neck slackly to a great tree.
Martha could still feel the heat of that afternoon shining brightly on her
from the surface of the paper.
Martha turned to that darkness that gazed at her hesitantly from the top of
the stairs.
"Still remember that day, William?"
Long ago, long ago, the house thought. Long ago when it hadn't been a
house at all, but... Dust billowed out of closets on the second floor,
doors banging open, brooms falling out in a confusion of limbs, then
straightening, skidding about like a magician's coven of apprentices.
Its thoughts were cobwebbed, and so it tried to sweep them clean, bristly
brush-heads reaching to every corner.
Long ago... The wooden beams bent inward, causing plaster to fall from its
walls. Who had it been? the house wondered frantically. Who
lived in the darkness, that now threatened to burst and overflow its space
with shadows?
Western wind, when wilt thou blow? The small sky pours down rain.
The cards fell into place, each upon each with the skill of - decades?
centuries? The old woman pursed her lips and frown. Not a good reading. La
luna; key 18, the moon, shapeshifter's card, transformation, magic plotted
behind someone's back. L'amore, the lovers; Il papa, the hierophant, a
powerful man, conservatism and rigid adherence to the past; nine of swords,
a woman weeping in bed at night with none to comfort or even know of her;
five of cups, three cups shattered and letting none but the barren ground
accept their offerings, irredeemable sadness. The old woman's voice shifted
lower, into a lilting language manifestly not English. Perhaps not even in
any human language.
And the house felt, felt in the only way it could feel, suddenly
finding itself breaking more into small single voices nearly lost in the
afternoon light. Tremaine - now, that word sounded familiar.
Tremaine meant other afternoons, long ago, with the sun streaking in
through the windows; men stomping in mud-edged boots on the floor to talk
of a lady - Bathory? - and what she had kept in her bath chamber,
cruel-featured men returning from riding, parties of periwigged and
fashionable gentlemen and ladies of the crown colony of Massachusetts. The
house knew that these were memories, and further knew that it was not
supposed to have such things.
It sorted, tried to make sense of its own individual voices, separating
each, trying to find more. The myriad voices that made up the house's
intelligence seemed somehow rooted in the ground beneath, in the
ground that was old before pale-skinned men had done in the original
inhabitants with shot and smallpox, before pale-skinned men had carefully
excavated the cellars and labyrinthine corridors. This was a space that
began at the break of the cellar doors, and beyond that, the house could
not feel anything. Or perhaps did not want to feel, for the voices flared
up in pain when it sent out tendrils.
Martha returned the pendulum to its familiar place around her neck,
reaching into her pocket now to clasp a small amulet and whisper - what, a
prayer, maybe simply a habit? The house couldn't tell. What it did know,
however, was that the sighing and pleading of the voices became more
intense, even as the slightly crooked fingers wandered gently over the
wall, finding the trapdoor, finding hinges and the hidden latch, tracing
over the faintly graven runes. Another satisfied sigh, and a soft
klik - almost an explosion in the quiet of late afternoon.
The old woman thought for a moment and took her sturdy walking stick,
gently eased the trapdoor open - safer than using a hand. Plaster and cheap
paint cracked and flaked onto the floor as the door swung inward - and a
noxious blast of fetid, long undisturbed air met Martha's nostrils. Mildew
and dried herbs and something else, something rotten and long dead...
The voices that made up the house's consciousness were screaming now,
agonized. With a mischievous wink, the old woman smiled, in no particular
direction, knowing quite well what was happening. Her voice was soft, and
soothing. "Shhh. It'll be set right soon." Then her features set
grimly, and Martha lit the small spelunker's lamp she'd brought. Taking the
light in one hand and the stout walking stick in the other, she peered
through the trapdoor - paused a moment - and stepped in.
The end? Or another beginning? Noone has been able or willing to tell this
far... Looks like there are still some questions left unanswered, so who
knows?
a sachel on his head an' a fist of weeds"
for a stolen kiss and a gold filled sack
'Cause the miser's love is thought more than mine."
Lynx: The dweller in darkness
The house felt something stir within its attic, a fullness like that of a
stomach after a heavy meal, or perhaps the heaviness of a woman with child.
It had never eaten, but the terms that meant something to those who lived
within and without suddenly meant something, as it felt the pangs
stretching limits more than physical. Shutters banged open in the loft, a
little room that might have been for a child once, or for two children,
revealing beds on opposite walls. All through the house, curtains opened
and warm air gouted from each like a breath let out after long wait. The
door rattled in its hinges.
Paka: The House of Pain
A smile creased the old woman's weathered face as she set down the lead,
sat back, and continued humming tunelessly as the golden sunlight warmed
her. Her eyes flickered open, a pale cataract blue, old woman's blue.
"Oh, yes, William. It was there, Tremaine's house. Just like you knew
it would be. Just like it said in his journal."
One worn hand - knuckles bent with arthritis, the house felt - reached down
into her bag, caressed the small silk package of cards, brought it out onto
the table. The old woman's touch on the cards was familiar as she sorted
them down in the time-worn patterns, like a lover's touch, and her song
shifted into an older pattern too.
Christ, that my love were in my arms, and I in my bed again...
Pyrtlewing: This Old House
She put away her cards with a sudden smile and touched the worn boards as
though soothing away the pain of a child. "Long ago, and the cards
read true. We will right the injustice done, you and I, and set this
little corner aright again. I've noticed a certain unpleasant grayness
creeping over the world and while I'm not empowered to fix the whole world,
I can stop it right here.
"Tremaine and Bathory... that started here. It's best we mend it here
as well," she smiled. "Their old pain and sorrow is something
that the demons of despair can grab onto and feed. Let's make sure that
those things go unfed."
She set the cards back on the table with a smile. "The first thing we
must do, dear, is to go find those poor old ghosts." She pulled a
pendulum out of the bag and flipped her book open till the pages showed an
old map. Setting her pendulum above the book, she let it swing, her lips
moving softly in some enchantment. The house watched in silence; not a
board creaked.
Paka: The House of the Dead
A smile crinkled Martha's features as the pendulum swung, light reflecting
and playing in patterns along the wall, and she closed her eyes,
concentrating. "Ahhh, and there you are." She felt along
the edge of the boards, in the apparently blank space along the wall, until
a draft of cold air played across her hand.
I have made a couple of small corrections (?) but left one word unchanged.
Not quite sure what a sachel is. The closest my
dictionary gets is satchel but that is not something a man would
wear on his head...